Play Along Piano

Tags

Baroque

edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
Bassoon Continuo	13	0	1	4	100%
Violoncello Continuo	13	0	1	4	92%
Violone Continuo	13	0	1	4	92%
Oboe	15	0	1	4	82%
Tutti Unisoni	15	0	1	4	82%
Bass as Consalvo	11	0	2	5	60%

Ave Maria (Bach/Gounod) for violin and piano

Jaime Arturo Sánchez

2:17	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	4	2	100%
	19	1	5	6	51%
Violín	14	0	1	6	90%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	4	2	100%
	19	1	5	6	51%
Violín	14	0	1	6	90%

HWV58A3N2 - Leave me, loathsome light

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

Hallelujah Chorus, Messiah, Guitar Quartet in G

PreludeAndFugue

3:00	Est. Play Time
91	Measures
	1,082Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
III	13	0	1	8	98%
IV	12	0	2	8	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
III	13	1	8	98%
IV	12	2	8	97%
II	14	2	8	92%
I	12	0	8	90%

Che farò senza Euridice? — C. W. Gluck, “Orfeo ed Euridice”

Alexander Evstyugov-Babaev

3:17	Est. Play Time
67	Measures
	1,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
4 Violini II	14	2	2	4	99%
Cembalo	18	45	5	3	98%
	17	0	3	3	97%
2 Celli e Contrabasso	17	0	3	3	97%
Contrabasso	17	0	3	3	97%
Orfeo	15	0	4	6	82%
Effetti MIDI	7	1	1	2	4%

The Prince of Denmarks March Brass Quintet

Flávio Régis Cunha

2:10	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	13	0	1	6	100%
Trombone	13	0	2	6	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	13	1	6	100%
Trombone	13	2	6	100%
Trumpet I in C	12	2	8	100%
Trumpet II in C	15	2	7	100%
Tuba	12	2	5	79%
Timpani	2	0	7	49%

Baldassarre Galuppi - Alla tromba della Fama

trumpeter and theatre organist

3:09	Est. Play Time
79	Measures
	1,360Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavicembalo	17	0	1	5	100%
	0	0	0	0	0%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavicembalo	17	0	1	5	100%
	0	0	0	0	0%
Contrabbasso	17	0	1	5	100%
Violoncello (BC)	17	0	1	5	100%
Violino 1	24	7	6	6	96%
Violino 2	24	7	6	5	96%
Viola	14	6	1	4	86%
Soprano	18	0	6	7	54%
Tromba in Do	9	0	1	7	49%

'Praise my Soul, the King of Heaven' - Baroque Orchestration

tennickmusic

3:10	Est. Play Time
158	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in D	10	0	1	2	87%
Bassoon	13	0	2	3	80%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in D	10	0	1	2	87%
Bassoon	13	0	2	3	80%
Oboe I	10	0	1	2	67%
Oboe II	7	0	0	3	66%
Continuo.	22	0	4	3	59%
Flute I	10	0	1	2	51%
Flute II	7	0	0	3	50%
Soprano amp;amp; Alto	11	21	1	2	49%
Tenor amp;amp; Bass	14	28	2	3	49%
Violas	6	0	0	2	41%
Violino I	10	0	1	2	41%
Violino II	8	0	0	3	40%
Violoncellos	13	0	2	3	39%

Hallelujah Chorus

PreludeAndFugue

3:02	Est. Play Time
91	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
III	13	0	1	8	98%
IV	10	0	2	8	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
III	13	1	8	98%
IV	10	2	8	97%
II	14	2	8	92%
I	12	0	8	90%

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
Cello	16	1	0	6	96%
Semele	14	0	3	10	79%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

La Réjouissance Handel music for the royal fireworks

Em Saintduloup

2:23	Est. Play Time
39	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Maxi		9	0	1	3	100%
Mini		7	0	1	1	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Maxi		9	0	1	3	100%
Mini		7	0	1	1	97%

Puer natus in Bethlehem à 8 - Michael Altenburg

wooddm

2:14	Est. Play Time
116	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	8	0	1	5	88%
	10	0	2	5	86%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	8	1	5	88%
	10	2	5	86%
Alto	7	2	5	82%
	8	1	5	76%
Baritone	11	1	4	82%
Tenor	8	1	5	76%
	11	1	5	76%
Bass	12	0	5	76%